Are we really waiting for more images? How do you make the distinction, and what do you want to tell? Is the valuation of the image leading? What is the scope and lifetime of a picture? Is the image-language global and universal, challenging, provocative, but never offensive? Does the perfect image exist? No two pictures can ever be the same. David Bailey once said:
“I am not interested in photography. I am interested in what you can do with it.”